What indications and references have you received from the director for the main and end titles? I was afraid that if we went too far we would be forever cast out of the Magic Kingdom but I underestimated the bravery of the filmmakers who wanted to arrive at a very Tron-like Castle, which Daniel Klöhn designed. We went through several ideas to test the water of how much we would be able to push the look of the traditional Disney vibe into a Tron space. We were initially given the task of merely updating the castle to suit the film using the existing logo that flies down from the sky. The Disney logo revisited for this movie is very dark and techno. We designed the end credits, the Disney castle logo, the memory sequences and the TV news sequence that reported Flynn’s disappearance. We met shortly after we completed the SHERLOCK HOLMES titles and during our last push to finish the hologram VFX for IRON MAN 2. He knew I was a fan of the first film and have designed things that referenced it (IRON MAN 1 end credits) so as you could imagine I was very excited to talk about TRON LEGACY with him. He’s a director with a great design sensibility. How was the collaboration with Joseph Kosinski? They worked on films such as IRON MAN 2, THE LOSERS or SHERLOCK HOLMES and TV show like THE WALKING DEAD. Prologue is a studio specializing in the design of film credits and motion design. Danny Yount, Creative Director at Prologue Films, accompanied by Daniel Klohn and Miles Laurisden talks about their work on TRON LEGACY.
0 Comments
Leave a Reply. |